It was inevitable really.
I know how it goes; I get an itch and eventually, must scratch it. A notion that there is something I need to get, or do. I pushed back on thoughts of switching to using a "traditional" double edge razor, brush and soap for some time, finally succumbing a few months ago. Of course, I'm glad I did succumb. Great shaves for low cost, and a bit of craftsmanship thrown in for good measure.
Some years ago, it was setting up a darkroom.
Well before that, it was getting into the American car scene while in the UK.
Thing is, it's like a gut feeling thing. Once that itch sets in, it's probably best just to give in to it. I've yet to obey that pull and find myself regretful or disappointed.
Anyway, for a long while now, I've been teetering on the brink of getting back into listening to music on vinyl. As convenient as streaming music and day-long playlists are, it has really left me feeling disconnected from the music. I'd almost stopped listening except for in the car, and for someone who has hundreds of CDs and some semi-expensive playback equipment I made the effort to drag across the Atlantic, that's a sad state of affairs.
The itch set in real good this time. I found myself searching for music on YouTube, but specifically played on vinyl. There are a great many such channels, but you're watching a record spin around on a screen while listening to that sound (which has been run through a computer, turned into a stream of binary data, mangled and compressed by a YouTube server, then run through another computer to get to my ears.
It's just not the same. Like the difference between watching in-car race footage versus driving an actual car, spiritedly.
I knew I was in trouble when I started hunting Goodwill to see if anyone happened to have donated a decent turntable. I knew I was done for when I found a couple of classical LPs which looked interesting and bought them. And then I saw it. The Craigslist post.
Two days later I had a humble but serviceable Denon at my desk in work, and decent headphones hooked up through a small amp.
Now, Goodwill is a dangerous place for someone who has a turntable and likes classical music. 25 cents per LP. And, it turns out, box sets got charged at the single LP price too. Beethoven's entire 9 symphonies for a QUARTER? Uh, yeah. That. And half of the discs in that set look to have never been played. One Tchaikovsky piano LP turns out to be a 1953 pressing. It sounds shockingly good for a 63-year old LP (just for perspective, the modern LP as we know it, microgrooved 33-and-a-third RPM on vinyl, only came into being around 1948. A scant five years before this pressing.)
I'm not just into classical though. My musical tastes run the gamut. So this quickly advanced to "hey, I bet there's somewhere which sells used LPs". Turns out there are 3 such somewheres, including the place I found the turntable. Yesterday, picked up several albums at one place downtown. I forgot how much fun it could be to just browse through shelves of music like that; something we've kind of lost out on with the mad rush to downloading all the things.
Naturally, having a freaking *turntable* at my desk has raised some very interested looks and started some conversations. One of which sent me toward the nearest Barnes and Noble.
I was skeptical. Last time I was in there looking at music, they had a tiny little vinyl section with maybe a half dozen albums. Last night, it seemed like a good third of the music-and-movies section was devoted to vinyl, both new music and new pressings of classic albums. Clearly, this vinyl resurgence I'd bean hearing of is a real thing.
I get why, though. There's just something about the whole process. Looking for the records, in a real store. Unwrapping the package. All the big, beautiful artwork. The actual disc. All tangible, real things. And the sound, on a decent system, really is fantastic, especially with the new pressings that are absent of years of dirt (really need to clean those older ones up now!)
From a practical point of view, I am now listening to more music than I have done in quite a while. I chose to keep the setup at work, because that's where I'm most likely to be listening to music now (we have an open plan office, it's almost a requirement to have something to drown out the constant babble of conversations). I'll be buying more new music (my B&N purchases were Green Day's "Revolution Radio" and Radiohead's "Moon Shaped Pool", both recent releases); I literally haven't bought new music in years, until yesterday. This can only be a good thing (except, perhaps, for my bank balance; but I would have found some other way to spend that anyway!).
By the way, "Moon Shaped Pool" is a gorgeous album. Physically and sonically. But, I have always liked Radiohead, so I may carry some bias.
Why "deadwax"? The run-out at the end of a record, between the music and the label, is known as the "deadwax". Usually has some ID information stamped on it. Sometimes, whimsical messages (this seems to be a thing with Radiohead on vinyl). I never knew that, in all the time I've listened to music on all kinds of formats. So there ya go!